FREE Dance Workshop Series:

What does it feel like to be ready in our bodies?

October 28th

10 AM-5 PM EST

City Arts 2 Dance Studio

1700 Greenmount Ave

Baltimore, MD 21218

FREE!

Got questions? Can’t attend the entire day of workshops? email tammrwilliams@gmail.com

About this Workshop

This daylong workshop series will be a process laboratory centered around the question, “What does it feel like to be ready in our bodies–to dance, to express ourselves, to be present with others?”  Each facilitator will share their own practice in response to these questions.  

These workshops invite all levels of experience, and are geared toward people who are curious to discover deeper connection and relationship to their bodies in dynamic motion and performance contexts.     

Without taking ourselves too seriously, these workshops will invite the energy of play, experimentation, and bodily autonomy.


Schedule & Class Descriptions

9:45-10:00 AM:

Arrival

10:00 AM-12:00 PM

Opening Circle and Workshop 1: 

The Anatomy of Relationship 

w/ Matthew Williams

How does coming into relationship with our anatomies prepare us for encounters with our environment and collaboration with other bodies?  


In this workshop we will explore anatomy through movement–through floorwork, simple choreographic motifs, and improvisational structures.  Then we will explore the possibilities that these micro studies of our bodies provide for communication within the creative process and performance.  We will work with performance scores and explore the relationship between voice and movement.  There will be ample opportunities to witness, be witnessed, and process both physically and verbally.


12:15-1:45 PM:

Workshop 2:

Preparation is Ritual

w/ Ashley Shey

How do we learn and integrate new skills/levels of complexity with our bodies?

We all have different learning curves and sticking points.  What are yours and how can we find comfort in the discomfort of physically rigorous embodied learning?  We will sweat in this class, beginning with individual guided warm ups to prepare ourselves physically and mentally.  We will then get into more dynamic movement across the floor with both structured and improvised prompts.  The heart of the class will be collaborative partner/small group work centering around different physical challenges and puzzles.  Messing up is encouraged–it's how we learn! 



4:30-5:00 PM

Closing Circle/Reflections


About the facilitators

Matthew Williams (they/them/theirs) is a Baltimore-based dancer, somatic facilitator, and lifelong student of the body. Their performance practice is inspired by the human body as a site for choice, liberation, and a means to be in relationship with place and community across differences. Matthew is engaged with Western Somatics, choreographic and improvisational movement arts, voice work, and the study of functional anatomy. They are currently a student of Somatic Experiencing and the Axis Syllabus. They are a longtime member and organizer of Move Move Collaborative, an annual movement intensive where artists gather in Baltimore to make a performance by consensus. Matthew has taught in various universities and organized community-based educational opportunities. Their performance work has been supported by Labbodies Performance Art Review, Transmodern Festival, Baltimore Independent Dance Artists, Move Move Collaborative, and Baltimore Office of Promotion & the Arts. Matthew holds a BA in Cultural Studies from Bates College and MFA in Theatre Arts from Towson University.

Ashley Shey (she/her/hers) is a body linguist. She is a first generation Cameroonian American artist born in Washington, DC who carries on her cultural traditions of dance and storytelling as a means for remembrance and self-knowledge. Drawing on a past of performing in choreography based companies and competitive dance teams, her work has transitioned in the past five years to a more contemplative practice, focused on an experimental and meditative approach to the study of movement. Through improvisational dance and experimental performance, she engages the potential for alchemical transformation in each moment through use of meditative movement.

Emmett Wilson (they/them/theirs) is also called ‘Ew! the dancer’ amongst other titles that are all connected to particular stories they tell with their body. They sprouted in Houston, grew a lot in Salt Lake City, where they made so, so, so many performances and worked as the community garden coordinator of The City Library; they are now forming new roots in Philadelphia and Baltimore. Their practice hinges upon embodying distinct sides of themselves and collaborating with others including the vast environment in which they move. 



1:45-2:45 PM:

Lunch Break

3:00-4:30 PM:

Workshop 3:


BODY DRAMA 

w/ Emmett Wilson

BODY DRAMA: not just pain and heartache, but an unexpected series of events gathered together because they ~might~l be contemporary, lyrical, and jazz dance class warm-up exercises that have informed Emmett’s ideas of love. Who are you when Mariah Carey sings about the Calgon commercial while you balance on the ball of one foot, the other one tucked into the medial nook of your knee and you pretend to hold a giant beachball ? How does who you become change when you repeat the same dance phrase over and over again with a group of strangers? Prepare for self awareness and for the self to be…put on a shelf and definitely not believed to be static, singular,  or even real.  This class is choose-your-own adventure(s). Emmett will be sharing open-ended movement prompts as well as some pre-structured choreography to follow along and do (if you want). Warning: at the end you’ll  be invited to learn and form a relationship with A Phrase that we’ll repeat in unison in smaller groups watching one another.